Archive

Browse all articles by type, programming model, and year. Articles that record an operation carry an ops karte, which makes the programming models comparable across cases.

Archive

BY PROGRAMMING MODEL

2026·68 entries

The Runner Who Never Finishes: 90 Years and Six Signs at Dotonbori

The Sky Before Takeoff: Light Art in the World’s Airports

Specimens as Staffage: Projection and Taxidermy on the Nature Wall, Takao 599 Museum

The Desert as Negative Space: Land Art at AlUla's Wadi AlFann

When the City of Earth Glows: At-Turaif's Illumination and Diriyah's New-Media Art Hub

A Screen Named 'Art Vision': SHIBUYA TSUTAYA (QFRONT), a Vessel at the Scramble Crossing

Dissolving a City’s Day Into Color: Chih-Yu Chen’s DIFFUSE at Taipei Lumitree

When the Ads Become One Picture: DIG SHIBUYA and the Midnight Hour at Shibuya Crossing

Into the Tree, Into the Breath: Marshmallow Laser Feast and Screens That Gather the Body

Stitched Skin, Set Aglow: Daisy Collingridge and Isabel Garrett's Bod in Times Square

The Lights Go Out: Durham's Lumiere and Artichoke's 16 Years, 2009–2025

The City of Light Relights Itself Once a Year: Eindhoven's GLOW and a Five-Kilometre Circuit Through the Dark

The Ship Departs at Midnight: Yael Bartana's Farewell in Times Square

Five Screens the City Kept: Toronto’s Sankofa Square and Its Civic Signage

A Dry Hollow in the Rain: Random International's Rain Room and Signage Without a Screen

A Skin With No Interval: Las Vegas Sphere and the Surface Where Ad and Artwork Never Part

A Frame over the Atrium: Zach Lieberman and Art in Frame at The Hyundai Seoul

Algorithms Take to the Streets: Raven Kwok and the Generative Screen

A Tower Made of Pixels: King Power MahaNakhon and Bangkok's Dissolving Skyscraper

A Future in the Lobby: Samsung d'light and the Corporate Showroom in Seocho, Seoul

Making a Season on the Equator: i Light Singapore and the Planning Authority's Festival of Light

Ten Seconds Between Ads: DOOH Exploration by WallDecaux and OBJ.Studio Across German Cities

A Museum Only in Winter: Amsterdam Light Festival Along the Canals

Where Letters Become Windows: The Calligraphic Facade of Dubai's Museum of the Future

11:57 PM, the Fans Start Turning: Tromarama's Turn On #2 in Times Square

For Those Passing Through: Bill Viola and Jenny Holzer at Hamad International Airport

Gold Projected in a Banking Hall: Hall des Lumières and the Business of Immersion in New York

Turning the Billboard into Sculpture: the 64-Foot Sunset Spectacular in West Hollywood

Depth in a Folded Screen: L-Shaped LEDs and the Rise of Anamorphic Signage

A Screen Shared by Advertising and Art: Outernet London and the Now Building

From Candles on the Sill to Four Nights of Light: Lyon's Fête des Lumières, a Festival the City Lights

Weaving a City's Passersby into a Wall: JR's The Chronicles of San Francisco at SFMOMA

Shanshui on the Hour: The Lobby Screen of Singapore's ArtScience Museum

Machines Reading the Canon: Quayola, from Fresco to Gaudí's Façade

Making a Sky of the Ceiling: A Lineage of Screens Overhead

A Galaxy Overhead: Hong Kong’s K11 MUSEA and the Mall Remade as Museum

A Wall That Simulates the World: Hyundai Motorstudio Seoul and World on a Wire

The Figure That Walks Toward You: Universal Everything and the Body on the Screen

After the Frame Comes Off: Frameless London and the Portraits Brought to Life

Architecture as Exhibition Apparatus: TOKYO NODE at Toranomon Hills and the City-Facing Screen

The Cat at the Top of the Hour: Cross Shinjuku Vision and the Calico That Moved Into an Advertising Screen

Making Architecture Dream: Refik Anadol and the Data-Painted Facade

Reselling Ten Seconds: Art Innovation Gallery and the Open-Call Economy of LED Billboards

NEO SHIBUYA TV: Tracing an Anonymous Curation Through Its Artists

Screens That Erase the Screen: teamLab and the Box-Office Model of Immersive Art

When Four Nights of Light Turn Permanent: Signal Festival and Prague Goes Year-Round

A Body for the City's Panda: Chengdu's Naked-Eye 3D and Lawrence Argent's I Am Here

When the Screen Swings Open: TSX Broadway and the 86,000-Pound Stage Doors of Times Square

The Vessel That Looks Back: Anatomy of Piccadilly Lights

The Country as Gallery: DEMO Festival and a 24-Hour Takeover of the Screen Network

Lighting the Winter Night: Vivid Sydney and the Publicly Funded Festival of Light

When Painting Leaves the Wall: Atelier des Lumières and the Immersive Museum as Show Business

A Big Screen Without Advertising: Federation Square and the Publicly Curated Civic Display

A Light Tree Among the Street Trees: Taipei Lumitree and the Art-First Outdoor Screen

Three Minutes Without Advertising: Tomokazu Matsuyama's Morning Again at Times Square

Weather as Material: Artists Who Halt Rain, Manufacture Clouds, and Set the Sky Adrift

A Screen Across Victoria Harbour: The M+ Facade as Curated Museum Display

Hours of a Billboard: Twenty-five Years of Art Intrusions on Causeway Bay's CVISION

Clocks, Many Times Over: Yugo Nakamura's Fifteen-Year Dismantling of the Timepiece

The Headphone City Inverted: Silent Defaults and the Second-Screen Audio Lineage

The Shape of the Square Changes Each Year: Yebizo's Outdoor Program as a Temporary Civic Screen

Naming the Airport In-Between: Ars Electronica Futurelab's ZeitRaum at Vienna Check-In 3 (2012)

Weather and Clocks — Always-On Canvases the Signage Was Built For

Three Minutes at 20:26: CIRCA and the Globally-Synchronised Screen Network

A Wave Inside the Ad Slot: COEX K-POP Square, Seoul, and a'strict's WAVE (2020)

Between Borrowed Landscapes and TENKEI: Seo Hyojung and the Aesthetics of East Asian Signage

A Gate That Translates Color: Carsten Nicolai’s chroma actor at Seibu Shibuya, 2015–2026

The Suburban Screen: Half a Century of Tamagawa Takashimaya S·C

202668 entries