Cases | SCREENS LANDSCAPE

Cases

Records written from the facts of a single operation — its operator, programming, and cadence. Sometimes one screen, sometimes a network spanning cities.

The Runner Who Never Finishes: 90 Years and Six Signs at Dotonbori

The Sky Before Takeoff: Light Art in the World’s Airports

Specimens as Staffage: Projection and Taxidermy on the Nature Wall, Takao 599 Museum

The Desert as Negative Space: Land Art at AlUla's Wadi AlFann

When the City of Earth Glows: At-Turaif's Illumination and Diriyah's New-Media Art Hub

A Screen Named 'Art Vision': SHIBUYA TSUTAYA (QFRONT), a Vessel at the Scramble Crossing

Dissolving a City’s Day Into Color: Chih-Yu Chen’s DIFFUSE at Taipei Lumitree

When the Ads Become One Picture: DIG SHIBUYA and the Midnight Hour at Shibuya Crossing

Stitched Skin, Set Aglow: Daisy Collingridge and Isabel Garrett's Bod in Times Square

The Lights Go Out: Durham's Lumiere and Artichoke's 16 Years, 2009–2025

The City of Light Relights Itself Once a Year: Eindhoven's GLOW and a Five-Kilometre Circuit Through the Dark

The Ship Departs at Midnight: Yael Bartana's Farewell in Times Square

Five Screens the City Kept: Toronto’s Sankofa Square and Its Civic Signage

A Dry Hollow in the Rain: Random International's Rain Room and Signage Without a Screen

A Skin With No Interval: Las Vegas Sphere and the Surface Where Ad and Artwork Never Part

A Frame over the Atrium: Zach Lieberman and Art in Frame at The Hyundai Seoul

A Tower Made of Pixels: King Power MahaNakhon and Bangkok's Dissolving Skyscraper

A Future in the Lobby: Samsung d'light and the Corporate Showroom in Seocho, Seoul

Making a Season on the Equator: i Light Singapore and the Planning Authority's Festival of Light

Ten Seconds Between Ads: DOOH Exploration by WallDecaux and OBJ.Studio Across German Cities

A Museum Only in Winter: Amsterdam Light Festival Along the Canals

Where Letters Become Windows: The Calligraphic Facade of Dubai's Museum of the Future

11:57 PM, the Fans Start Turning: Tromarama's Turn On #2 in Times Square

For Those Passing Through: Bill Viola and Jenny Holzer at Hamad International Airport

Gold Projected in a Banking Hall: Hall des Lumières and the Business of Immersion in New York

Turning the Billboard into Sculpture: the 64-Foot Sunset Spectacular in West Hollywood

Depth in a Folded Screen: L-Shaped LEDs and the Rise of Anamorphic Signage

A Screen Shared by Advertising and Art: Outernet London and the Now Building

From Candles on the Sill to Four Nights of Light: Lyon's Fête des Lumières, a Festival the City Lights

Weaving a City's Passersby into a Wall: JR's The Chronicles of San Francisco at SFMOMA

Shanshui on the Hour: The Lobby Screen of Singapore's ArtScience Museum

A Galaxy Overhead: Hong Kong’s K11 MUSEA and the Mall Remade as Museum

A Wall That Simulates the World: Hyundai Motorstudio Seoul and World on a Wire

After the Frame Comes Off: Frameless London and the Portraits Brought to Life

Architecture as Exhibition Apparatus: TOKYO NODE at Toranomon Hills and the City-Facing Screen

The Cat at the Top of the Hour: Cross Shinjuku Vision and the Calico That Moved Into an Advertising Screen

Reselling Ten Seconds: Art Innovation Gallery and the Open-Call Economy of LED Billboards

NEO SHIBUYA TV: Tracing an Anonymous Curation Through Its Artists

When Four Nights of Light Turn Permanent: Signal Festival and Prague Goes Year-Round

A Body for the City's Panda: Chengdu's Naked-Eye 3D and Lawrence Argent's I Am Here

When the Screen Swings Open: TSX Broadway and the 86,000-Pound Stage Doors of Times Square

The Vessel That Looks Back: Anatomy of Piccadilly Lights

The Country as Gallery: DEMO Festival and a 24-Hour Takeover of the Screen Network

Lighting the Winter Night: Vivid Sydney and the Publicly Funded Festival of Light

When Painting Leaves the Wall: Atelier des Lumières and the Immersive Museum as Show Business

A Big Screen Without Advertising: Federation Square and the Publicly Curated Civic Display

A Light Tree Among the Street Trees: Taipei Lumitree and the Art-First Outdoor Screen

Three Minutes Without Advertising: Tomokazu Matsuyama's Morning Again at Times Square

A Screen Across Victoria Harbour: The M+ Facade as Curated Museum Display

Hours of a Billboard: Twenty-five Years of Art Intrusions on Causeway Bay's CVISION

The Shape of the Square Changes Each Year: Yebizo's Outdoor Program as a Temporary Civic Screen

Naming the Airport In-Between: Ars Electronica Futurelab's ZeitRaum at Vienna Check-In 3 (2012)

Three Minutes at 20:26: CIRCA and the Globally-Synchronised Screen Network

A Wave Inside the Ad Slot: COEX K-POP Square, Seoul, and a'strict's WAVE (2020)

A Gate That Translates Color: Carsten Nicolai’s chroma actor at Seibu Shibuya, 2015–2026

The Suburban Screen: Half a Century of Tamagawa Takashimaya S·C