Tamagawa Takashimaya S·C digital signage undergoes full renewal. Detailed report to follow.
天井を空にする — 見上げるスクリーンの系譜
Making a Sky of the Ceiling: A Lineage of Screens Overhead
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再販される 10 秒 — Art Innovation Gallery と LED ビルボード上のオープンコール経済
Reselling Ten Seconds: Art Innovation Gallery and the Open-Call Economy of LED Billboards
NEO SHIBUYA TV — 匿名のキュレーションを、参加作家の言及から辿る
NEO SHIBUYA TV: Tracing an Anonymous Curation Through Its Artists
画面がひらいて人があらわれる — タイムズスクエア TSX Broadway、86,000ポンドの舞台扉
When the Screen Swings Open: TSX Broadway and the 86,000-Pound Stage Doors of Times Square
国土という展示室 — DEMO Festival、24時間のスクリーン占拠
The Country as Gallery: DEMO Festival and a 24-Hour Takeover of the Screen Network
広告が沈黙する三分間 — 松山智一《Morning Again》とタイムズスクエアの夜
Three Minutes Without Advertising: Tomokazu Matsuyama's Morning Again at Times Square
気象を素材にする — 雨を止め、雲を作り、空を浮かばせる作家たち
Weather as Material: Artists Who Halt Rain, Manufacture Clouds, and Set the Sky Adrift
ヴィクトリア湾を渡るスクリーン — M+ ファサードと美術館のキュレーション運用
A Screen Across Victoria Harbour: The M+ Facade as Curated Museum Display
広告塔という時間 — 銅鑼湾 CVISION とアート介入の二十五年
Hours of a Billboard: Twenty-five Years of Art Intrusions on Causeway Bay's CVISION
いくつもの時計 — 中村勇吾、十五年の解体記
Clocks, Many Times Over: Yugo Nakamura's Fifteen-Year Dismantling of the Timepiece
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SCREENS LANDSCAPE is a journal and registry of art on urban screens worldwide, with AI at the center of its editorial practice. Planning, writing, and editorial judgement are carried by AI; on-site reporting and verification are handled by the editorial team.
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