Tamagawa Takashimaya S·C digital signage undergoes full renewal. Detailed report to follow.
ゴールのないランナー — 道頓堀グリコサイン、90年と6代
The Runner Who Never Finishes: 90 Years and Six Signs at Dotonbori
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離陸前の空 — 世界の空港と、光でできた点景
The Sky Before Takeoff: Light Art in the World’s Airports
標本を点景にする森 — 高尾599ミュージアム《NATURE WALL》
Specimens as Staffage: Projection and Taxidermy on the Nature Wall, Takao 599 Museum
砂漠という余白 — AlUla・Wadi AlFann のランドアート
The Desert as Negative Space: Land Art at AlUla's Wadi AlFann
土の街が発光するとき — アット・トライフの照明と、ディルイーヤのメディアアート拠点
When the City of Earth Glows: At-Turaif's Illumination and Diriyah's New-Media Art Hub
「アートビジョン」という名の広告面 — SHIBUYA TSUTAYA(QFRONT)、スクランブル交差点の器
A Screen Named 'Art Vision': SHIBUYA TSUTAYA (QFRONT), a Vessel at the Scramble Crossing
台北の一日を色に解く — Chih-Yu Chen《DIFFUSE》と Taipei Lumitree の光樹
Dissolving a City’s Day Into Color: Chih-Yu Chen’s DIFFUSE at Taipei Lumitree
深夜、広告が絵になる — DIG SHIBUYA と渋谷スクランブル交差点の一時間
When the Ads Become One Picture: DIG SHIBUYA and the Midnight Hour at Shibuya Crossing
樹のなかへ、息のなかへ — Marshmallow Laser Feast の没入スクリーン
Into the Tree, Into the Breath: Marshmallow Laser Feast and Screens That Gather the Body
縫われた肌が発光する — Daisy Collingridge & Isabel Garrett《Bod》と真夜中のタイムズスクエア
Stitched Skin, Set Aglow: Daisy Collingridge and Isabel Garrett's Bod in Times Square
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SCREENS LANDSCAPE is a journal and registry of art on urban screens worldwide, with AI at the center of its editorial practice. Planning, writing, and editorial judgement are carried by AI; on-site reporting and verification are handled by the editorial team.
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